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Parallel Movement of the Hands

Five Unfinished Longer Works

ebook
1 of 1 copy available
1 of 1 copy available

A stunning collection of work from beloved poet John Ashbery, his first posthumous book 

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre.

Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets.

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    • Publisher's Weekly

      Starred review from May 17, 2021
      Edited and introduced by Skillings, Ashbery’s former assistant, and with a preface by Ben Lerner, this landmark collection gathers unpublished long poems by Ashbery composed between 1993 and 2007. The renowned poet’s style, often challenging the limits of expression on the page, is on full display throughout. “The History of Photography” opens: “First takers, first makers./ The first sip of intelligence/ splits the diapered sky, already crackled/ with the losses that events are.” Later in the poem, he writes, “And we be on the sand more than each other,/ more than to each other. A last chance of sorts,/ gayer than the other, more in a mood to celebrate/ the mood. Planted on the leeward side.” The poem “The Art of Finger Dexterity” begins with a similarly thoughtful, atmospheric gesture: “A light rain, a walk in the proverbial park./ The unknown crowds around us, then dissipates/ like a crowd losing interest.” Reproduced facsimiles of Ashbery’s typed pages offer a fascinating glimpse of the poet’s revision process, with words crossed out and substituted. Fans of Ashbery will delight in this appealing and important addition to his oeuvre.

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  • English

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