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2 of 2 copies available
2 of 2 copies available

From the acclaimed author of Blue, a beautifully illustrated history of the color white in visual culture, from antiquity to today
As a pigment, white is often thought to represent an absence of color, but it is without doubt an important color in its own right, just like red, blue, green, or yellow—and, like them, white has its own intriguing history. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of the color white in European societies, from antiquity to today.
Illustrated throughout with a wealth of captivating images ranging from the ancient world to the twenty-first century, White examines the evolving place, perception, and meaning of this deceptively simple but complex hue in art, fashion, literature, religion, science, and everyday life across the millennia. Before the seventeenth century, white's status as a true color was never contested. On the contrary, from antiquity until the height of the Middle Ages, white formed with red and black a chromatic triad that played a central role in life and art. Nor has white always been thought of as the opposite of black. Through the Middle Ages, the true opposite of white was red. White also has an especially rich symbolic history, and the color has often been associated with purity, virginity, innocence, wisdom, peace, beauty, and cleanliness.
With its striking design and compelling text, White is a colorful history of a surprisingly vivid and various color.

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    • Library Journal

      December 1, 2022

      Associated with innocence, purity, and hygiene, it's no surprise that white has been the color of infant dress and wedding gowns, doctor and chef coats, and bathing and hospital facilities. As he did in his other volumes on the history of color (Black, 2008; Green, 2014; Red, 2017; Blue, 2018; Yellow, 2019), the author examines white through social and cultural lenses, referencing archeology, religious and secular texts, language, fashion, and the arts and sciences. He traces the use and significance of the color from the walls of the Lascaux caves and liturgical robes to medieval chess boards and heraldry, to engraving and photography, and the work of the Impressionist painters and contemporary designers. It wasn't until the Middle Ages that white, along with other colors, gained symbolic or abstract value, but it lost its status as a color when Newton's chromatic order came to light. Later artists embraced white in their work, restoring it as a color. Throughout the volume, instructive, full- and half-page labeled illustrations offer additional information. Extensive footnotes and multiple subject bibliographies are included. VERDICT Thorough research and abundant illustrations characterize this sixth and final volume in Pastoureau's scholarly series primarily of interest to art and academic libraries.--Daryl Grabarek

      Copyright 2022 Library Journal, LLC Used with permission.

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  • English

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