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3 of 3 copies available
3 of 3 copies available

In 1932, as famine rages across Ukraine, the Soviet government calls for the harshest punishment for those who keep for themselves even five stalks of grain. When their mother is accused of hoarding and summarily killed, Nadia and Taras must leave their home on a desperate quest for survival.

Attempting to navigate a closed country, to stay together, and to stay alive, Nadia and Taras must face secret police, soldiers, and fellow citizens forced to abandon charity and sometimes even humanity in the face of impossible hunger. Unsure who to trust and unable to find refuge, they search for somewhere, anywhere, where they can be safe.

Historical fiction at its finest, Five Stalks of Grain is powerfully written and beautifully illustrated, drawing on Ukrainian artistic traditions to tell a story of loss, grief, and hardship with delicate strength. It is a record of a time of profound suffering and a reckoning with the human cost of a tragedy shaped by politics and policy.

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    • Publisher's Weekly

      November 21, 2022
      Two siblings scramble to survive during the Stalin-era 1932–1933 Ukrainian famine in this delicately drawn, tightly plotted historical graphic novel. Nadia witnesses Soviet soldiers kill her mother on suspicion of hoarding grain while hiding in a trunk with her younger brother Taras. The starving children wander from home, essentially following crumbs to their doom. They accept an offer of bread from an older man who then attempts to kill them; they flee after Nadia stabs him in the eye. A soldier hands them a tiny portion of bread and urges them to head into town. When a young woman offers them food, Nadia becomes terrified upon discovering the giver is a communist, and in yet another hasty departure, the siblings are separated—seemingly forever. Nadia follows an owl to a cottage belonging to an old woman, who helps Nadia concoct a plan to get to the city and search for her brother. But dangers continue to mount. Dialogue and text are sparse, leaning on the clean, unshaded line drawings, which recall both picture books and early silent European film. Galadza’s idiosyncratic layouts, such as repeated faces in various emotional states, also lend an unfinished, sketchbook feel that matches the account’s emotional intensity and ambiguous ending. Genuine horror and anguish undergird this poignant evocation of atrocity.

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  • OverDrive Read
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Languages

  • English

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